David Streit: Producer, Documentarian, Filmmaker, Teacher & Mentor to Aspiring Artists

<b>David Streit, Associate Producer</b><br />A high school slacker kills his girlfriend and shows off her dead body to their friends. However, the friends' reaction
is almost as ambiguous and
perplexing as the crime itself.

<b>David Streit, Executive Producer</b><br />In 1993, the Search for Extra Terrestrial Intelligence Project receives a transmission
detailing an alien DNA structure, along with instructions on how to splice it with human DNA. The result is Sil, a sensual but deadly creature
who can change from a beautiful woman to an armour-plated killing machine in the blink of an eye.

<b>David Streit, Unit Production Manager</b><br />A decidedly odd couple with ulterior motives convince Dr. Alan Grant to go to Isla Sorna (the second InGen dinosaur lab.), resulting in an
unexpected landing...and unexpected new inhabitants on the island.

<b>David Streit, Executive Producer</b><br />A black uniformed policeman is recruited by a devious drug enforcement agent to infiltrate a smuggling organization seeking to expand into designer drugs.
This 'ugly side of the war on drugs' explores the context of race, identity and hypocrisy within a brutal and alienating investigation.

<b>David Streit, Associate Producer</b><br />Morris Himmel has a problem. His parents desperately want to send him away to summer camp. He would do anything to
get out of it. Together with his friends, he hatches a plan to trick all the parents into sending them to a camp of his own design, which would actually be
a parent-free paradise.

<b>David Streit, Unit Production Manager</b><br />A beautician in America is mistakenly thought to be an academic teacher by a representative of an Eastern European dictator.

<b>David Streit, Associate Producer</b><br />Horsemouth, a drummer living in a ghetto of Kingston, plans to make some extra money selling and distributing records. He buys a motorcycle to carry them to the sound systems around the island.

<b>David Streit, Executive Producer</b><br />A deaf woman, becomes the target of a ruthless and corrupt cop. The cop is looking for a stolen coin,
which he plans to keep for himself. A journalist briefly acquires the coin and hides it in her appartment, then his car explodes, now the cop is after her.

<b>David Streit, Co-Producer</b><br />Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and
partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady.

<b>David Streit, Line Producer</b><br />A corrupt television preacher and his congregation are held
hostage by a woman, her lover, and her two cousins in an attempt to avenge the theft of her inheritance. A quirky look at the dishonesty of the televangelist industry.

<b>David Streit, Producer</b><br />
June 1945, the night of the Graduation Ball in Avalon Bay, two students are murdered
and the killer is not found. June 1980, a new Graduation Dance is organized, and, again, a serial killer attacks.
The students and deputy Mark London seek him out.

<b>David Streit, Co-Producer</b><br />
Rich playboy Charley Pearl meets Vicki Anderson, singer at a nightclub. But she's a gangster's-moll,
Bugsy Siegel's, and when he finds the two of them in bed, he forces them to marry each other.
But Vicki doesn't seem to be Charley's kind of woman at all...

<b>David Streit, Associate Producer</b><br />This film tells the true-life story of Yuri Nosenko, a
top Soviet KGB agent who defected to the West and claimed to have information on the assassination of President Kennedy.

Click a film to see the trailer. Then, click the IMDB button to view complete information about the film.

Most films are available at Amazon.com.

"I build the production of the film to match the story on the page."

"The job of the producer, at its core, is to nurture art, to actualize a situation where artists are safe to create and to work...
and the investor feels both safe and inspired to invest."

"I create the business to match the creation on the page. Production templates are efficient, but without consideration of the art they can choke the creative process."

"Each movie is a separate little business. Because it's art, you do have to reinvent the wheel every time."

"What I do is customize the production of a movie to match its content, so that form and content are integrated."

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